January 3, 2008
(our last day)
women holding long poles at the end of which were sponge tips. A water bottle was attached to the side of the pole, slowly dripping its contents to the sponge which was used like the tip of a brush. The men and women were drawing with water. Others had gathered around to watch their art, slowly gliding over the stones, making brush strokes of ancient words and ideas, flowing in lines towards the frozen water of the lake. It was meditation. It was art. It was beautiful. We stood and admired the words fade into dry stone and then made our way towards the other side of the lake. On one side of the walkway, a series of small picture windows lined the wall, each their own shape and each decorated intricately with small paintings of flowers.
At the end of this walk, we entered the series of buildings that were the Cixi's sleeping quarters and the Hall of Longevity. After exiting this area, we discovered one of the most magnificent walkways I have ever encountered. Along the lake, a covered wooden walkway called the Long Corridor lines the shore. At over 700 m in length, every inch of the walkway is covered in traditional paintings – intricate, detailed paintings of ancient scenes with the Monkey King, monks, emperor’s weddings, gardens and other palaces. And we were forever trailed by a very large group of Russian tourists by whom I was, of course, forever intrigued. So, between the spectacle of the walkway and the spectacle of Russian wealth and hair do’s, I had more than enough to take pictures of for quite a while. About halfway down the walkway, a large gate opened up
onto an open space. The gate, through which one entered from the lake, welcomed the emperor and empress into the palace when they would arrive for their stay. In front of the gate was the entrance to the Buddhist temple built onto the hillside of the garden. The Empress Dowager Cixi of the Qing Dynasty, for whom the palace was built, was a deep believer in Buddhism, despite the fact that she was a vicious despot of an empress. She did fun things like hold her sisters and various concubines in the palace inside large water tanks with only their head left above the surface for weeks at a
time. She ruled over
The water was gorgeous in the winter light. Boats were docked at various spots along the shore, and many people were lounging around on the walls and in the pavilions surrounding the lake. I came across a man who was playing the flute beautifully at one dock. Traditional Chinese music emanated from the instrument as I walked up. I was doing some audio recording at that point, so I managed to catch some of it. As soon as I passed by, he changed his tune to Auld Lang Syne. Ah, to be Western in
As we rounded the last stretch of the walkway, we came to the end of the lake where the Stone Boat sits in the water. This is a very large marble boat which sits at the water’s edge. It’s a two story boat with stained glass windows on both floors. There is a huge mirror on the second floor where the Empress Cixi would “sit and admire herself while eating cakes and drinking tea,” as my tour guide pointed out. The boat was wooden originally, I think, but for some reason, the emperor decided to make one out of stone. Hmm. Not sure.

At this, we wandered just a short way to the exit of this entrancing palace. To think of the way the space was when Cixi walked the hallway in her great silks and headdresses. This place was incredible. I could have spent all day there. I left with such a sense of wonder and enchantment, like every stone and painting, every hall and gate, was holding tightly to secrets you could hear whispered on the cold January wind.
And from here to the yet another amazing meal of vintage
After lunch, we headed to the We had a chance to wander aimlessly and listen to our guide explain all the different shrines and Buddha statues. Each temple left me in greater awe than the last. Running my hands along the prayer wheel. Looking up into the sky to see a tree barren save for 60 or so persimmons clinging to its branches. Watching the thick plumes of smoke reach up into the
clouds above. Candles flickering, offerings being made at every moment. Such a sense of calm. As we got towards the very back of the temple site, we entered the Hall of the Wheel of the Law in which the monks come to study and meditate. Buddha sat in the middle, of course, surrounded by two or three rows of pillows with small reading lamps set on long tables for reading. To the far left were various statues of monks parts of the world, all seated in a row under a line of windows. In front of them was the first and only Buddhist sand painting that I have ever seen in real life. I have seen them created in films, but I
have never laid my own eyes on one. It’s beyond description to see one in person. Beyond imagination the intricate details, the colors, the shapes and patterns. The impermanence of such a work of love – created as an offering meant to be present for only a short time. I moved around the painting which was contained within a Plexiglas cube and hit every angle I could. No photos allowed within the temples, so I have only what is left in my memory. I feel so fortunate to have even glimpsed something so ethereal and sacred.
I happened to walk back around to the front of this particular temple as Jim and Tina wandered out the back. I came across a Chinese woman who was giving a tour to 4 people from for as long as I could manage. She was explaining to her tour group the story of the Dalai Lama and why the current Dalai Lama does not live in
monks must be approved through their channels, a process which would include the selection of the 15th Dalai Lama upon the death of the current Dalai Lama. Fascinating and crazy. I was thrilled to be listening to this in Spanish. It was too amazing to be standing in such a place and listening to a language I can only speak half a world away.
On the approach to the final temple, all I could see was something massive and gold standing in the space. I hadn’t bothered to really look at the height of this temple before I entered, but when I walked fully into the Pavilion of Ten Thousand Happinesses and looked up, I saw that the Buddha standing before me simply had no end. Its body reached so high in to the rafters of this temple, its face was barely visible. Fully gold, fully wooden, and fabled to be carved out of one solid tree, I had never seen anything with such solid weight in my life. It’s a 26m tall statue of the Maitreya Buddha carved from a single white sandalwood tree. It’s 18m above the ground, 8m below the ground and 8m in diameter. It’s immense and so spectacular. Humbling to stand in front of such a thing. It blew my mind.
We did some mild shopping on our way out. Jim found a woman who makes traditional Chinese paintings using her fingers and sides of her palms. Fascinating. And then, after quite a while of aimless strolling, were suddenly jacked up into speed mode by our tour guide. There was somewhere to be, after all, unbeknownst to us. We were rushed over to the Houhai area for our hutong tour. We piled out of the car after crisscrossing the neighborhood and winding our way through the maze of rickshaws. We stood waiting for our next tour guide, also named Tina, who would take us through the hutong. She showed up and we were packed into our rickshaw. She took off with her bike and went a different direction. So, we were a little unclear as to what we were supposed to be getting a tour of. We were on the rickshaw for a total of like 10 minutes and went about 4 blocks. Then, just as suddenly as she had left, there was Tina #2, pulling us along to our next destination. Over the Houhai foot bridge we went, and as I stopped to take a shot or two, Jim and Tina #2 were almost out of my line of sight. Moving quickly through the hutong, I had to run to catch up to them. Um, could we maybe slow down? Well, no, actually, we can’t. You see, there’s a drum ceremony we have to catch in 10 minutes at the top of the
tower, and we made it just in time for the drumming of the drums.
The towers houses one of the oldest drums in a bordering neighborhood. Inside the tower, across from the drums, there was this ancient time-telling device that used a series of water activated levers to record time. In Korean history, the invention is credited to one of this country’s emperors, but perhaps it was taken from
incredible and ingenious.
After the wild
We made it out of the hotel for our last night on the town. Jumped in a cab to find the Stone Boat Café in mahjong, we were so very pleasantly surprised when we found what we did. We made it to the neighborhood and quickly realized we were definitely in Russian territory. Russian signs, Russian department stores, Russian restaurants everywhere. The café is actually inside the park, so we had to get the guards to let us in since it was after
wonderland of ponds and open courtyards. We noticed that the row of restaurants along the street that we had just passed on out way in shared a backyard with the park. Totally gorgeous in the winter moonlight. We were all alone in there. It was so peaceful. Pretty soon after passing the restaurants, we started to hear some music carry through the air. Further ahead, we could see the orange glow of another space. As we got closer, we realized, wow, they’re playing Dylan. This funny café in the dark inside a park in
reading the newspaper, when we walk in. They were incredibly kind to us and got a real kick out of the mahjong set, which, of course, we have NO idea how to play.
We ordered some soups and set up our very own special twisted version of a solitaire-style mahjong that Jim played by himself. Our hosts could not figure out what the hell we were playing. The soups arrived and were just about the most delicious meal we had on our whole trip. The whole place was just so simple and so elegant. The boat looked out on the small pond in the park. Its lights and heat lamp a welcome respite from the bitter the life of a city undergoing so much change and upheaval and transformation. As Dylan washed over us, we ate our fill, played a very random, surely never-before-achieved 2-person game of mahjong solitaire and made our way out of the place so that the poor guy who was waiting on us could go home.
Needing to use the bathroom, we spotted a bar right next to the park entrance. I’ll just duck inside and use the bathroom. You get a drink. We’ll stay for a bit and go home. Well, after winding our way through a construction wall that served as a temporary entrance to the bar while renovations were underway, it didn’t take us more than a few minutes to realize where we were. We were in a hooker bar. In the middle of
The DJ set was incredible. Totally appropriate and priceless. Madonna’s “Who’s That Girl” into Steely Dan’s “Hey 19” and off without a hitch to “What a Feelin’.” That one got me up on the dance floor and me and this really sweet, well-dressed Chinese girl tore it up. It was just us. We were in heaven, singing the song at top volume to each other. And then this song by some Mongolian boy band came on, and all the girls stormed the floor (another girl told us who the band was that made the girls go wild).
It was a strange and slightly creepy place, but we had a total blast. What a way to end our
And so concludes my tales of
It was an epic trip, to say the least. I’m so very fortunate to have had the opportunity to go there and to have this kind of trip. I would definitely go back in a second if I could. It’s a city of conundrums and paradoxes, like
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